Restoration veterans saw beyond fake siding and popcorn ceilings to the inherent charm of this rural bungalow.
Bungalow 1925 exterior Arts & Crafts

Built in 1925, the semi-bungalow with Craftsman details in rural northwest Oregon was once the main house of a 50-acre dairy farm.

This couple no longer needed six bedrooms, and they’d gotten tired of city traffic and congestion. It was time to simplify, says Jenny Harmon–Scott, which meant leaving their meticulously restored Colonial Revival house in Portland, Oregon. Her husband, Shay, was raised in an old Craftsman-era farmhouse; his memories led them to search for something similar, beyond even the suburbs. Both of them love old houses and don’t mind restoration work. But they wanted a house with character, in a tranquil setting.

Bungalow dining room with sideboard

The dining room is centered on an antique mahogany table and chairs from the homeowner’s parents. Custom drapery softens the room.

This 1925 house in rural northwest Oregon fit their dreams. Set on a remaining three acres that had once been part of a dairy farm, surrounded still by fields and gardens, the house came with an old vineyard and a barn with a resident owl. They could hardly resist the spreading black-walnut tree with a swing already tied to its largest branch.

Craftsman house desk

Homeowner Jenny Harmon–Scott is an accomplished artist. In the upstairs study, her painting of a Victorian chair is set near the vintage oak desk, a family piece handed down.

The house itself, a Craftsman bungalow, had potential, with its Douglas fir trim and honey-color fir floors. It was smaller and simpler than the couple’s previous home. Granted, it wasn’t in the best of shape. The exterior was covered with beige composite siding; fortunately, one section of the original Dutch-lap cedar siding was intact to be a model for replication. The white vinyl replacement windows would have to go, and the roughed-out trim remilled.

Craftsman kitchen 1925

The dining room opens to the kitchen with the mudroom beyond. Antique cranberry wine glasses that belonged to Jenny’s grandmother accompany Italian Arte Italica pewter- rimmed dinnerware.

Inside, the kitchen had been updated in a mishmash of styles. The stainless-steel countertop was strangely bent, suggesting something heavy had sat at one end. The orange-peel ceiling was painted an eye-popping yellow, amplified by the fluorescent fixture and can lights. The living room was cramped, partly owing to a floor plan that tucked in a first-floor bedroom—a room stuck in a 1960s time warp with chartreuse walls and a popcorn ceiling.

Shay and Jenny began by taking down that non-bearing wall in the living room, sacrificing the bedroom to nearly double the living space and make room for Shay’s grand piano. The floor was patched with new fir boards, finished to match the existing floor. Walls and ceilings were skim-coated and lightly textured to match the original plaster finish. The later, white-painted trim was stripped, stained to match the remaining fir, and subtly distressed to age it.

mahogany inlaid antique sideboard

The inlaid mahogany sideboard and a carved chair are more family heirlooms.

Off the kitchen and opening to the backyard, a generous mudroom now looks and functions as it did early in the 20th century. The washer and dryer hook-ups were dispatched to the basement, and the flooring replaced with a vintage-look, mottled-grey linoleum. Here, too, the walls were skimmed and retextured in 1920s style. Furnishings here include a period wall-hung utility sink, a baker’s cabinet from Boston (storing garden supplies and tools), and a vintage railway-station bench.

mudroom sink

In a return to its early 20th-century utility, the mudroom now has Marmoleum flooring in mottled grey. The antique baker’s cabinet stores garden supplies and tools.

The couple decided to tear the kitchen area down to the studs, preserving the plumbing connections and fir floor. Without adding on, the room was enlarged when unnecessary soffits were eliminated and the bay window was made a bit bigger. The fireclay sink has a vintage look, as do nickel faucets. Carrara marble countertops have a soft, honed finish; the wall tiles are a bisque color. The tiles have crazed glazing—an intentional look. “I learned the hard way that crazed tiles have to be sealed before grouting,” Jenny warns, “—or the hairline cracks absorb the dark grout.” The lighting now is more appropriate.

Bungalow Kitchen

The kitchen got a sympathetic update: the farmhouse sink is set in a bay window, countertops are marble, and walls are lined in subway tile.

The dining room’s leaded-glass buffet was carefully pre- served, and the room freshened with new fir trim stained and distressed to match existing trim. (The couple say they even included boot marks on baseboards.) A simple Mission-style chandelier finishes the room.

The living room opens directly from the front porch. Its walls are painted a soft neutral that changes with the light. Drafty replacement windows were upgraded with insulated, double-hung wood windows from Marvin. (Windows were the largest part of the restoration budget.)

corgi in a bungalow bedroom

The guest room has a reproduction twisted-post bed, a favorite napping place for Bella

Eclectic furnishings reflect the homeowners’ interests. Comfortable seating mixes with family heirlooms that came from Jenny’s grandparents’ Colonial Revival home in Oklahoma City; they include an ornate chair in blue satin and the in- laid mahogany sideboard. Upstairs, the study has an antique oak desk that came from Jenny’s mother. A guest room has a reproduction twisted-post bed, a favorite napping place for Bella, the Pembroke Welsh Corgi.

Moving to the country was a major change, Jenny and Shay will admit, but they love when the neighbors’ cows and geese wander over, and when robins squawk at finches in the birdbath. They think of the house and their new lifestyle, both, as part of the Arts & Crafts continuum.

Jenny Harmon, artist

Homeowner Jenny Harmon–Scott cuts grapes in the backyard arbor.

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