Fall 2006
Fall 2006 issue of Arts and Crafts Homes and the Revival magazine preview.
FEATURED ARTICLES
RESTORATION
And the House Makes Three
On a rural hilltop outside of New York, time stands suspended inside a modest stone and shingle 1915 bungalow.
by Mary Ellen Polson| photographs by Dan Mayers
THE GUILD
Purveyors of Taste
Margaret Graham–Bell and Stuart Stark of Charles Rupert Designs bring the good stuff to homeowners—and the movies.
by Patricia Poore| photographs by Sam Van Fleet
NEW WORK
Inspired, Site-specific
The influence of the Arts and Crafts movement is evident in a lot of the best new construction.
by Patricia Poore with Neill Heath
HISTORY
Saarinen’s House
Arts & Crafts meets Finnish Modern in an iconic house at Cranbrook.
by Sandy McLendon
OUTSIDE
A Japanese Garden
Higurashi–en, a contemplative garden begun in 1897, survives.
by Brian D. Coleman
ARCHITECTURE
Tudorbethan
It’s a good word for a particular American version of English A&C.
by Patricia Poore
DEPARTMENTS
UTILITY SPACES
Six functional bathrooms of then and now.
PILGRIMAGE
Galleries from NYC to New Jersey, with a stop at Stickley’s Craftsman Farms.
THE MOVEMENT
Lummis and El Alisal.
DETAILS
Art lamps of the period.
BRINGING IT BACK
Paul Somerson explains how metalsmiths work miracles.

Patricia Poore is Editor-in-chief of Old House Journal and Arts & Crafts Homes, as well as editorial director at Active Interest Media’s Home Group, overseeing New Old House, Traditional Building, and special-interest publications.
Poore joined Old House Journal when it was a Brooklyn-brownstoner newsletter in the late 1970s. She became owner and publisher and, except for the years 2002–2013, has been its editor. Poore founded the magazines Old-House Interiors (1995–2013) and Early Homes (2004–2017); their content is now available online and folded into Old-House Journal’s wider coverage. Poore also created GARBAGE magazine (1989–1994), the first unaffiliated environmental consumer magazine.
Poore has participated, hands-on, in several restorations, including her own homes: a 1911 brownstone in Park Slope, Brooklyn, and a 1904 Tudor–Shingle Style house in Gloucester, Massachusetts, where she brought up her boys and their wonderful dogs.