Bungalow Kitchen, Plain & Simple
Practical yet old-fashioned, straightforward yet edgy with color, this Pasadena kitchen in a 1922 house has an apron-front sink, stylish white cabinets, built-ins, and original light fixtures. Here’s the homeowner’s story.
If this kitchen looks perfect for the 1922 bungalow, that’s because it was inspired by . . . the original one. “We loved our kitchen even before the restoration,” says Kristy Clougherty, who with her husband Brian has owned this house since 2001. They worked diligently to save the existing fir floor (discovered under worn linoleum), along with remaining cabinets, hardware (painstakingly stripped), and lighting fixtures. Kristy says that about 70% of what’s here is original; for the rest, “we thought about what details would have been in place, and then we searched them out.”
Set off by dark soapstone, plain white cabinets were matched to the old ones, but with the flared leg detail added. (The original owner–builder was from back East, where soapstone was more prevalent.) The kitchen faucet is still wall-mounted: “against advice, but it works and is just like the original,” says Kristy. A new dishwasher hides behind a door. When the couple went to pick up the dependable, early 1950s O’Keefe and Merritt stove from its previous owner, “she cried when we drove off, and came to visit it several weeks later!” Kristy says. “We share love for this stove—it works like it was built.”
Bold chocolate walls soften the high contrast between cabinets and countertops. The soapstone’ sage-green veining is picked up in a new backsplash of porcelain subway tiles.
For fabrics, Kristy was looking for something unexpected to complement the rich brown of the table in the nook. “Oddly enough, it’s my dad who sews—usually industrial fabrics for nautical purposes. He whipped up the café curtains and the nook’s seat cushions, piping included—very professional!” Kristy boasts.
The color scheme is successful, and even restful. But “it’s not all that common to see black and white blended with warm tones,” says Kristy. “It was worth taking the risk.”

Patricia Poore is Editor-in-chief of Old House Journal and Arts & Crafts Homes, as well as editorial director at Active Interest Media’s Home Group, overseeing New Old House, Traditional Building, and special-interest publications.
Poore joined Old House Journal when it was a Brooklyn-brownstoner newsletter in the late 1970s. She became owner and publisher and, except for the years 2002–2013, has been its editor. Poore founded the magazines Old-House Interiors (1995–2013) and Early Homes (2004–2017); their content is now available online and folded into Old-House Journal’s wider coverage. Poore also created GARBAGE magazine (1989–1994), the first unaffiliated environmental consumer magazine.
Poore has participated, hands-on, in several restorations, including her own homes: a 1911 brownstone in Park Slope, Brooklyn, and a 1904 Tudor–Shingle Style house in Gloucester, Massachusetts, where she brought up her boys and their wonderful dogs.